Download Freeman Font Family Style
Download Freeman Font Style Family
family of 4 fonts from Device
family of 1 font from Bitstream
family of 1 font from Tilde
family of 1 font from ParaType
Freehand 471 is the Bitstream version of Cascade Script by Matthew Carter. Released by Mergenthaler Linotype in 1965, this design is based on an earlier type by the Ludlow foundry.
family of 1 font from ParaType
Freehand 471 is the Bitstream version of Cascade Script by Matthew Carter. Released by Mergenthaler Linotype in 1965, this design is based on an earlier type by the Ludlow foundry.
In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face “Teutonic”. This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section and florin positions.
Named for a charming town in the Texas Hill Country, founded by German settlers in the mid-1850s.
Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face “Teutonic”. This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section and florin positions.
Named for a charming town in the Texas Hill Country, founded by German settlers in the mid-1850s.
Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
family of 1 font from Neapolitan
Fredericka recalls my college days of nights spent creating handdrawn presentation boards, architectural sketches and student union posters. She’s fun, she’s casual, she’s preppy, she’s classic, she’s the Greatest!
family of 1 font from Neapolitan
Fredericka recalls my college days of nights spent creating handdrawn presentation boards, architectural sketches and student union posters. She’s fun, she’s casual, she’s preppy, she’s classic, she’s the Greatest!
The Fred family is based on the casual hand lettering of Fred G. Cooper: cover artist, cartoonist, and letterer for Life magazine in the 1920s and '30s.
His relaxed style captures the flavor of the Roaring Twenties, and the digital font was developed for use in the credits and title cards for a 1920s-style silent movie, The Call of Cthulhu.
In an effort to keep the hand-lettered look, the OpenType font has numerous discretionary ligatures and contextual alternates, along with fleurons and ornaments.
family of 2 fonts from ParaType
Freaky Prickle script was written using ink and various wooden sticks and digitized/ Autors target was to create the spontaneous, light, flying script with dynamics and energy at the same time.
Freak was originally released by The Great Western Type Foundry in 1889.
According to Annenberg, Great Western became Barnhart Brothers & Spindler when the Barnhart brothers bought out the Toepfer family in 1868.The plant superintendent, Charles Spindler, became Secretary of the new firm. Specimen books as late as 1899 show the name Great Western alongside the BB&S name.
At some point, prior to 1925, Freak was renamed “Bamboo” by BB&S. It was delisted when BB&S was absorbed by ATF in 1929. More…
Listed in McGrew under “Bamboo”.
Freak was originally released by The Great Western Type Foundry in 1889.
According to Annenberg, Great Western became Barnhart Brothers & Spindler when the Barnhart brothers bought out the Toepfer family in 1868.The plant superintendent, Charles Spindler, became Secretary of the new firm. Specimen books as late as 1899 show the name Great Western alongside the BB&S name.
At some point, prior to 1925, Freak was renamed “Bamboo” by BB&S. It was delisted when BB&S was absorbed by ATF in 1929. More…
Listed in McGrew under “Bamboo”.
family of 1 font from Paul O'Connell
This roughly hand drawn font was created to give that loose scribbled effect look and to imitate a typically hand written style.
family of 2 fonts from Morganismi
Fraught is a rough tough stencil font for hard use. Feel the touch of cracked concrete, rusty iron and undressed board.
family of 2 fonts from Morganismi
Fraught is a rough tough stencil font for hard use. Feel the touch of cracked concrete, rusty iron and undressed board.
family of 1 font from Nick's Fonts
The 1905 Barnhart Brothers & Spindler catalog featured an ultrawide face called “French Antique Extended”.
family of 1 font from Nick's Fonts
The 1905 Barnhart Brothers & Spindler catalog featured an ultrawide face called “French Antique Extended”.
The 1905 Barnhart Brothers & Spindler catalog featured an ultrawide face called “French Antique Extended”.
The letterforms have been faithfully rendered here, but this fonts kerning calls for a lot of overlapping and interlocking that the original cast-metal face wouldn't have been able to duplicate.
Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
family of 1 font from Wiescher Design
FranklinGothicHandDemi is part of a series of hand-drawn fonts from way back in time before computers changed the way we worked.
family of 1 font from Wiescher Design
FranklinGothicHandDemi is part of a series of hand-drawn fonts from way back in time before computers changed the way we worked.
FranklinGothicHandBold is another part of a series of hand-drawn fonts from way back in time before computers changed the way we worked in advertising.
When I was in advertising before computers a very time consuming part of my daily work was sketching headlines.
I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. More…
We had a kind of huge inverted camera which we called Lucy.
We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest.
I won most of the time! They used to call me the fastest “Magic Marker” this side of the Atlantic.
Great days, just like today!
Your sentimental type designer from the past Gert Wiescher
family of 4 fonts from Scangraphic Digital Type Collection
family of 4 fonts from Scangraphic Digital Type Collection
The original Franklin Gothic was designed in 1903 by Morris Fuller Benton. Franklin Gothic is named after Benjamin Franklin, Americas greatest printer.
Our Franklin Gothic Black Condensed is unique because it is designed to set properly in all display applications.
It contains all the high-end features expected in a quality OpenType Pro font.