Download Countdown SH Font Family
family of 1 font from Scangraphic Digital Type Collection
With a strong basis in tradition and ancient iconography, the Adinkra Pro family brings a fresh perspective to the time-honored symbols of West Africa.
Not only is the Pro family a brand new Adinkra symbol font, but it is a comprehensive typeface family with adjustments to all 66 original symbols. The addition of patterns for backgrounds and borders as well as the programming power of OpenType gives you limitless design options at the click of a mouse. More…
The rough imperfections of Adinkra Pro Calabash pay homage to the handmade qualities of West African art and also give a nod to the hand carved calabash gourds used to apply these symbols directly to cloth.
More symmetrically balanced and refined, Adinkra Pro FineFine gets its name and subsequent look from the West African Pidgin English term for anything that is very sharp, classy and elegant.
On the opposite end of the spectrum, Adinkra Pro WantaWanta draws inspiration from the wax prints and batik fabrics of the various open air marketplaces of West Africa.
And as the newest member of the Adinkra Pro family, Adinkra Pro GodouhGodouh (pronounced Go-dough Go-dough) incorporates all of the symbols, patterns and backgrounds of Adinkra Pro Calabash, FineFine and WantaWanta.
family of 1 font from Scangraphic Digital Type Collection
With a strong basis in tradition and ancient iconography, the Adinkra Pro family brings a fresh perspective to the time-honored symbols of West Africa.
Not only is the Pro family a brand new Adinkra symbol font, but it is a comprehensive typeface family with adjustments to all 66 original symbols. The addition of patterns for backgrounds and borders as well as the programming power of OpenType gives you limitless design options at the click of a mouse. More…
The rough imperfections of Adinkra Pro Calabash pay homage to the handmade qualities of West African art and also give a nod to the hand carved calabash gourds used to apply these symbols directly to cloth.
More symmetrically balanced and refined, Adinkra Pro FineFine gets its name and subsequent look from the West African Pidgin English term for anything that is very sharp, classy and elegant.
On the opposite end of the spectrum, Adinkra Pro WantaWanta draws inspiration from the wax prints and batik fabrics of the various open air marketplaces of West Africa.
And as the newest member of the Adinkra Pro family, Adinkra Pro GodouhGodouh (pronounced Go-dough Go-dough) incorporates all of the symbols, patterns and backgrounds of Adinkra Pro Calabash, FineFine and WantaWanta.
AdieuTwo is a radical revision of Adieu which was a revision of my original font, Chivalry, that was traced from Chevalier back in the mid-1990s.
Its roots are obvious, but this one has small caps, small cap figures, oldstyle figures, ligatures, and more. This is a thoroughly up-to-date font ready to be used for stylish heads.
family of 1 font from Ingrimayne Type
CoughingNails is a novelty font made up of cigarettes and an occasional match.
family of 12 fonts from K-Type
ADEQUATE is a basic geometric sans serif typeface comprising 6 weights plus a free italic with each. The family has modern, workaday letterforms with a tall x-height for clarity and legibility. Adequate does the job; it doesn't claim to be beautiful and lacks the fashionable mannerisms of many contemporary faces, but there is something timeless, perhaps elegant, about its mathematical simplicity.
family of 1 font from Ingrimayne Type
CoughingNails is a novelty font made up of cigarettes and an occasional match.
A big fat face for big bold uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.
family of 12 fonts from K-Type
ADEQUATE is a basic geometric sans serif typeface comprising 6 weights plus a free italic with each. The family has modern, workaday letterforms with a tall x-height for clarity and legibility. Adequate does the job; it doesn't claim to be beautiful and lacks the fashionable mannerisms of many contemporary faces, but there is something timeless, perhaps elegant, about its mathematical simplicity.
This sans serif counterpart to the award-winning Adelle type family proposes a cleaner and more spirited take on the traditional grotesque sans. As typical with TypeTogether fonts, the most demanding editorial design pieces were taken into consideration when engineering Adelle Sans. The combination of its lively character and unobstrusive appearance that is inherent to grotesque sans serifs make it an utterly versatile tool for any imaginable graphic application, whether it is branding, signage or advertising. Without any doubt, the key word behind Adelle Sans' design is flexibility. More…
Adelle Sans is available in seven weights with their matching italics. Each one of these 14 styles is a perfect match in terms of weight and vertical proportions to its slab serif equivalent. This ensures a graceful fit between both font families in the same block of text, and a subtle, but noticeable change of texture when used as similar point sizes.
The 900-character set in includes typographic niceties, small caps, several sets of figures, and support for over 90 languages. It also includes a set of 35 icons specially designed for electronic publications.
A big fat face for big bold uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.
family of 1 font from Typodermic
Cotton is a mid-twentieth century style casual sans with a vintage t-shirt texture.
While Adelle is a slab serif typeface conceived specifically for intensive editorial use, mainly in newspapers and magazines, its personality and flexibility make it a real multiple-purpose typeface.
The intermediate weights deliver a very legible and neutral look when used in text sizes, providing the usual robustness expected in a newspaper font. The unobstrusive appearance, excellent texture and slightly dark color allow it to behave flawlesly in continuous text setting, even in the most demanding editorial applications. More…
As it becomes larger in print, Adelle shows its personality through a series of meassured particularities that make it easy to remember and identify. It has 12 styles, ranging from light to heavy. Its energetic character, so inherent to slab serif fonts, becomes evident as the typeface is used for subheadings and headlines.
This basic version of Adelle includes necessary tools for common office work, such as basic f-ligatures and kerning. A wider range of typographic tools, such as discretionary ligatures, small caps, five sets of figures, superiors, inferiors, fractions, various bullets and arrows, are available only in the full version of Adelle. The language support for over 50 languages that use the Latin extended alphabet, is same in both.
family of 1 font from Typodermic
Cotton is a mid-twentieth century style casual sans with a vintage t-shirt texture.
While Adelle is a slab serif typeface conceived specifically for intensive editorial use, mainly in newspapers and magazines, its personality and flexibility make it a real multiple-purpose typeface.
The intermediate weights deliver a very legible and neutral look when used in text sizes, providing the usual robustness expected in a newspaper font. The unobstrusive appearance, excellent texture and slightly dark color allow it to behave flawlesly in continuous text setting, even in the most demanding editorial applications. More…
As it becomes larger in print, Adelle shows its personality through a series of meassured particularities that make it easy to remember and identify. It has 12 styles, ranging from light to heavy. Its energetic character, so inherent to slab serif fonts, becomes evident as the typeface is used for subheadings and headlines.
This basic version of Adelle includes necessary tools for common office work, such as basic f-ligatures and kerning. A wider range of typographic tools, such as discretionary ligatures, small caps, five sets of figures, superiors, inferiors, fractions, various bullets and arrows, are available only in the full version of Adelle. The language support for over 50 languages that use the Latin extended alphabet, is same in both.
Looking for sharp-looking characters in ferocious action? Then look no further than this font, originally designed by Senior Comicraftsman John Roshell for GHOST RIDER 2099.
Adamantium has also been featured in WOLVERINE and THE UNCANNY X-MEN.
Adam Serif is a sturdy typeface balancing a classic text image with a contemporary design. Strong serifs and a low contrast make the typeface ideal for small sizes, while original details express more character in bigger sizes. The Black and Thin weights are specially intended for display and headlines. Originally designed for book printing, over the years several magazines, publications and newspapers have chosen Adam Serif. The typeface is inspired by circular movements, reflected in rotated contrast, rotating inkdrops and other round shapes.
Adam Serif comes in 4 weights with italics and a full character set for
western and east-european languages, as well as a number of OpenType
features.
Cotoris is beautiful glyphic sans serif.
This font includes ligatures and small caps for advanced typography. Highly effective where a graceful and feminine design is desired.
family of 3 fonts from Comicraft
Joe Kubert’s son Adam has a story or two to tell as well; the AdamKubert font, based on Adam’s own pen lettering in BATMAN/PREDATOR, was created by Comicraft for Marvel’s ULTIMATE X-MEN series.
family of 3 fonts from Comicraft
Joe Kubert’s son Adam has a story or two to tell as well; the AdamKubert font, based on Adam’s own pen lettering in BATMAN/PREDATOR, was created by Comicraft for Marvel’s ULTIMATE X-MEN series.
font family from Okaycat, added yesterday
Cosmos Cursive is a connected letter script which is full of stars! Float with the stars, drifting through the galaxy! Use this star font whenever sparkle, glamour or a touch of the cosmos is needed.
Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts.
Sehrer recommends this family for posters, logos, and restaurant menus.
It works well with traditional sans serifs such as Helvetica or Univers.
font family from Okaycat, added yesterday
Cosmos Cursive is a connected letter script which is full of stars! Float with the stars, drifting through the galaxy! Use this star font whenever sparkle, glamour or a touch of the cosmos is needed.
Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts.
Sehrer recommends this family for posters, logos, and restaurant menus.
It works well with traditional sans serifs such as Helvetica or Univers.
Designed by Gustav Jaeger in 1982, Cosmos is an interesting sans serif with terminals that seem to fade rather than come to a distinct end. This characteristic, however, does not distract the reader.
Jaeger said of type design, “To be sure we must appreciate the aesthetic quality of the individual character, the correct type style suited to the subject, but the text image should not push itself between the message and the reader. Type must serve.”
Cosmos is useful for short passages, signage and display work.
Designed by Gustav Jaeger in 1982, Cosmos is an interesting sans serif with terminals that seem to fade rather than come to a distinct end. This characteristic, however, does not distract the reader.
Jaeger said of type design, “To be sure we must appreciate the aesthetic quality of the individual character, the correct type style suited to the subject, but the text image should not push itself between the message and the reader. Type must serve.”
Cosmos is useful for short passages, signage and display work.
Franko Luin was born in 1941 in Italy but moved to Sweden where he studied graphic design and printing technologies at Grafiska Institutet in Stockholm. After 20 years with the telecom company Ericsson’s advertising department, in 1989 he started his own design studio, Omnibus Typografi.
Besides designing typefaces he had a keen interest in languages, and particularly the international language Esperanto. More…
"When I design my own typefaces I am free to determine the details of a particular character.
But not totally free, since I must keep track of the character shapes in use since the Rennaissance - and that while I am trying to create something new. It isn't easy. Typeface designers have been working for 500 years with the same basic shapes and with the same aim.
When I see the result of my work and compare it with what other designers have achieved, I am inclined to agree with F.W. Goudy that 'the elders have stolen our best ideas. Ad Hoc is a fake.
My intention was to design a typeface with the looks of the characters drawn on paper with a marker pen. But they are all drawn on a monitor, with no scanner ever involved. That’s the reason why they look so regular."
Acuta is a new all-purpose text serif with a good readability and a contemporary, robust look thanks to its low-medium contrast. The differences between thicks and thins are less strongly marked than in oldstyle text faces; yet the diagonal stress needed to facilitate reading is partly provided by the letter shape itself: sharp angles and italic construction give the right dynamism to the text.
Acuta becomes very distinctive as a headline, while its big x-height makes it suitable for texts at rather small sizes too. More…
The family consists of seven weights & correspondent italics, with a large character set. The Book and Medium weights, relatively close to each other, can both be used as plain weight depending on the size of the text, background color or backlighting.
Small caps, oldstyle and tabular figure alternates, superiors and inferiors and ligatures are available in all styles through OpenType features.
The real italics include unobtrusive swash alternates to emphasise the written feeling.
Please find a specimen of Acuta (PDF) in the Gallery section.
family of 2 fonts from Greater Albion Typefounders
Corvone is a heavy bull-nosed display family, inspired by the post war era's ideas of modernity. Use Corvone to give work a retro feel, and/or where you want to really drive your point home.
Acuta is a new all-purpose text serif with a good readability and a contemporary, robust look thanks to its low-medium contrast. The differences between thicks and thins are less strongly marked than in oldstyle text faces; yet the diagonal stress needed to facilitate reading is partly provided by the letter shape itself: sharp angles and italic construction give the right dynamism to the text.
Acuta becomes very distinctive as a headline, while its big x-height makes it suitable for texts at rather small sizes too. More…
The family consists of seven weights & correspondent italics, with a large character set. The Book and Medium weights, relatively close to each other, can both be used as plain weight depending on the size of the text, background color or backlighting.
Small caps, oldstyle and tabular figure alternates, superiors and inferiors and ligatures are available in all styles through OpenType features.
The real italics include unobtrusive swash alternates to emphasise the written feeling.
Please find a specimen of Acuta (PDF) in the Gallery section.