Monday, October 31, 2011

Download Cheltenham Old Style No 2 Font Family Style



Download Cheltenham Old Style No 2 Font Family Style

Download Cheltenham Old Style No 2 Font Family

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Download 1621 GLC Pilgrims Font Family Style



Download 1621 GLC Pilgrims Font Family Style

Download 1621 GLC Pilgrims Font Family



Download 1621 GLC Pilgrims Font Download

This font was created with inspiration from the wood blocks carved for chapbooks, posters, calendars or newspaper in the late 1500s and early 1600s.

We have tried to keep their innocence and rough style. It has been conceived as an homage to the Pilgrim fathers landing in Plymouth Bay in 1620 and celebrating the first Thanksgiving with Native Indians in autumn, 1621. More…

The font, consisting of two English capital alphabets (so, without any accented characters): Initials and caps, and a lot of separate figures added, is especially improved by strong enlargments, 72 pts and more, and has very good results when printed.

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Sunday, October 30, 2011

Download 1610 Cancellaresca Font Family



Download 1610 Cancellaresca Font Family



This font was inspired by the Cancellaresca moderna type, which was calligraphed by Francesco Periccioli (published in 1610 in Siena, Italy). It was entirely hand written by the designer for each circumstance, using quill pen and medieval ink on a rough paper, with added characters as accented ones and a lot of ligatures with respect for the original design.

This font includes long s, and also a lot of ligatures as ff, ffi fij pp...

It can be used for web-site titles, posters and flier designs, editing ancient texts or greeting cards, or as a very decorative and elegant font.

More…

This font retains its qualities and beauty over a wide range of sizes.

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Download Cheltenham Font Family



Download Cheltenham Font Family



Download Cheltenham Font Download

Daniel Berkeley Updike seems to have stimulated the architect Bertram G. Goodhue to design the prototype in 1896 for Ingalls Kimball at the Cheltenham Press. Six years later Morris Fuller Benton at ATF developed it into the design and then the series that we know today.Owing to certain eccentricities of form, writes Updike, it cannot be read comfortably for any length of time. But he concludes: It is, however, an exceedingly handsome letter for ephemeral printing. Mergenthaler bought composing machine rights to the original design c.1896, but bought the Benton design in 1904.

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Saturday, October 29, 2011

Download 1610 Cancellaresca Font Family Style



Download 1610 Cancellaresca Font Family Style

Download 1610 Cancellaresca Font Family



This font was inspired by the Cancellaresca moderna type, which was calligraphed by Francesco Periccioli (published in 1610 in Siena, Italy). It was entirely hand written by the designer for each circumstance, using quill pen and medieval ink on a rough paper, with added characters as accented ones and a lot of ligatures with respect for the original design.

This font includes long s, and also a lot of ligatures as ff, ffi fij pp...

It can be used for web-site titles, posters and flier designs, editing ancient texts or greeting cards, or as a very decorative and elegant font.

More…

This font retains its qualities and beauty over a wide range of sizes.

read more


Download Cheltenham Font Family Style



Download Cheltenham Font Family Style

Download Cheltenham Font Family



Download Cheltenham Font Download

Daniel Berkeley Updike seems to have stimulated the architect Bertram G. Goodhue to design the prototype in 1896 for Ingalls Kimball at the Cheltenham Press. Six years later Morris Fuller Benton at ATF developed it into the design and then the series that we know today.Owing to certain eccentricities of form, writes Updike, it cannot be read comfortably for any length of time. But he concludes: It is, however, an exceedingly handsome letter for ephemeral printing. Mergenthaler bought composing machine rights to the original design c.1896, but bought the Benton design in 1904.

read more


Friday, October 28, 2011

Download 1592 GLC Garamond Font Family



Download 1592 GLC Garamond Font Family



family of 3 fonts from GLC

1592 GLC Garamond

This family was inspired by the pure Garamond pattern set of fonts used by Egenolff and Berner, German printers in Frankfurt, at the end of the sixteenth century. All the experts said it was the best and most complete set of the time. The italic style used with it was Granjons, as in 1543 Humane Jenson. A few fleurons from the same printers have been added.

More…


Download Cheltenham FonS Family Style



Download Cheltenham FonS Family Style

Download Cheltenham FonStylet Family

family of 9 fonts from Bitstream

Cheltenham

Daniel Berkeley Updike seems to have stimulated the architect Bertram G. Goodhue to design the prototype in 1896 for Ingalls Kimball at the Cheltenham Press. Six years later Morris Fuller Benton at ATF developed it into the design and then the series that we know today.Owing to certain eccentricities of form, writes Updike, it cannot be read comfortably for any length of time. But he concludes: It is, however, an exceedingly handsome letter for ephemeral printing. Mergenthaler bought composing machine rights to the original design c.1896, but bought the Benton design in 1904.

More…

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Thursday, October 27, 2011

Download Chelsnuts Font Family



Chelsnuts Font Download



family of 2 fonts from Kimmy Design

Chelsnuts

Chelsnuts was inspired by old Art Deco typefaces used in poster art back in the 1920s. Yet, in addition it has a playful side that makes it unique to the sharp letterforms typically seen in similar ultra-thick typefaces.

More…


Download 1592 GLC Garamond Font Family Style



Download 1592 GLC Garamond Font Family Style

Download 1592 GLC Garamond Font Family



family of 3 fonts from GLC

1592 GLC Garamond

This family was inspired by the pure Garamond pattern set of fonts used by Egenolff and Berner, German printers in Frankfurt, at the end of the sixteenth century. All the experts said it was the best and most complete set of the time. The italic style used with it was Granjons, as in 1543 Humane Jenson. A few fleurons from the same printers have been added.

More…


Wednesday, October 26, 2011

Download 1589 Humane BoStylerdeaux Family Style



Download 1589 Humane BoStylerdeaux Family Style

Download 1589 Humane BoStylerdeaux Font Family

family of 2 fonts from GLC

1589 Humane Bordeaux

This family was created inspired from the Garamond patern set of fonts used by S. Millanges “imprimeur ordinaire du Roy”, in Bordeaux, circa 1580-1590. Especially for reprint L'instruction des curs (Instructions to parish priests), from Jean Gerson.

More…

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Download Chelsnuts Font Family Style



Download Chelsnuts Font Family Style

Chelsnuts Font Download



family of 2 fonts from Kimmy Design

Chelsnuts

Chelsnuts was inspired by old Art Deco typefaces used in poster art back in the 1920s. Yet, in addition it has a playful side that makes it unique to the sharp letterforms typically seen in similar ultra-thick typefaces.

More…


Tuesday, October 25, 2011

Download 1589 Humane Bordeaux Font Family



Download 1589 Humane Bordeaux Font Family

This family was created inspired from the Garamond patern set of fonts used by S. Millanges “imprimeur ordinaire du Roy”, in Bordeaux, circa 1580-1590. Especially for reprint L'instruction des curs (Instructions to parish priests), from Jean Gerson.

The set contains two styles, Normal and Italic, the second one with a lot of caps and ligatures variants.

The initials, except a few decorated letters (six in total) where only large caps, covering no more than three lines. Added are a few fleurons. More…

It can be used as variously as web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very elegant and legible font...

This font supports strong enlargements as easily as small size (legible from 6 points when printed) remaining very smart and fine.

Its original cap height is about five millimeters. Decorated letters like 1512 Initials, 1550 Arabesques, 1565 Venetian, can be used with this family without anachronism.

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Download Chelsea SamuelStyles Family Style



Download Chelsea SamuelStyles Family Style

Download Chelsea SamuelStyles Font Family

family of 2 fonts from Samuelstype

Chelsea Samuels

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Monday, October 24, 2011

Download 1589 Humane Bordeaux Font Family Style



Download 1589 Humane Bordeaux Font Family Style

Download 1589 Humane Bordeaux Font Family

This family was created inspired from the Garamond patern set of fonts used by S. Millanges “imprimeur ordinaire du Roy”, in Bordeaux, circa 1580-1590. Especially for reprint L'instruction des curs (Instructions to parish priests), from Jean Gerson.

The set contains two styles, Normal and Italic, the second one with a lot of caps and ligatures variants.

The initials, except a few decorated letters (six in total) where only large caps, covering no more than three lines. Added are a few fleurons. More…

It can be used as variously as web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very elegant and legible font...

This font supports strong enlargements as easily as small size (legible from 6 points when printed) remaining very smart and fine.

Its original cap height is about five millimeters. Decorated letters like 1512 Initials, 1550 Arabesques, 1565 Venetian, can be used with this family without anachronism.

read more

Download Chelsea Font Family Style



Download Chelsea Font Family Style

Download Chelsea Font Family Style

family of 2 fonts from Red Rooster Collection

Chelsea

Designed by Les Usherwood. Digitally engineered by Steve Jackaman.

More…

Sunday, October 23, 2011

Download 1565 Venetian Font Family Style



Download 1565 Venetian Font Family Style

Download 1565 Venetian Font Style Family

This set of initial decorated letters is an entirely original creation, drawn inspired by Italian renaissance engraver Vespasiano Amphiareo’s paterns published in Venice circa 1568. It contains two roman alphabets : the first of large Initials, the second of small caps.

Both containing thorn, eth, L & l slash, O & o slash.

It can be used as variously as web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font...

More…

This font is conceived for enlargements remaining very smart and fine. The original height of the initials is at least about one inch equivalent to about four lines of characters, small caps may have the same height than the caps of the font used with, but cover two lines is better.

This font may be used with all GLC blackletter fonts, but preferably with “1543 Humane Jenson”, “1557 Italic”, “1742 Civilite”, “1776 Independence” without any fear for doing anachronism.

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Download Chelly FY Font Family Style



Download Chelly FY Font Family Style

Download Chelly FY Font Style Family

 Chelly FY

With its friendly curves and ballpoint pen shapes, Chelly FY is a lovely script font.

Generous, young and feminine, this font will certainly express all its freshness for girly designs, menu-boards, packaging or branding.

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Saturday, October 22, 2011

Download 1565 Renaissance Font Family



Download 1565 Renaissance Font Family

This set of initial letters was inspired from French renaissance decorated letters. It is a typical pattern, one among dozen quite similar, but this one was in use in Paris, unchanged, for centuries, and was still in use in the beginning of 1900s.

This explains the difference between I and J, U and V. These characters were engraved years after the original set.

Our font was inspired from a late 1800s publication. It can be used as well with Humane fonts (like our 1543 Humane Janson or 1592 GLC Garamond) as with modern fonts like our 1820 Modern or 1906 French News.

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Download ChefScript Font Family



Download ChefScript Font Family



ChefScript

Chef Script is an experimental font designed by Carlos Fabian Camargo G. Its fantasy design contains 1463 glyphs to compose words, phrases and short messages on small and large sizes. The idea was born in a sketchbook that was perfected again by hand and achieving "non-neutral drawings" on tracing paper.

With bezier digitization the empty and full parts of letters appeared with soft and eloquent curves as calligraphic result produces optimal readability. More…

Chef Script combines warmth and good humor running in countless design applications such as labels and base plates, covers, posters, movie titles, seals and any printed design that needs an unusual typographic tool.

In that sense, Chef Script is influenced by Speedball lettering manual (1957), Ross F. George. The illustrative nature of "ChefScript-complete" does not look anything like the traditional type design hierarchies.

Therefore offers 7 hierarchical resource groups to design comfortable contexts flavored with illustration and typography:

ChefScript-Basic: Letters with horizontal and vertical thrifty proportions mimic an uninterrupted calligraphy brush made with flat tip.

Thus its letters have ascenders and descenders strokes perpendicular to its base line and equal to the height of the lowercase.

ChefScript-Swashes: Letters expressive and unique flourishes to design highlighted words or phrases.

ChefScript-Caps: Uppercase with lowercase height give the impression of interrupted uppercase italics writing within what is written with uninterrupted lowercase letters producing strong contrast within a paragraph fragment.

ChefScript-Containers: Container drawings designed to exchange with infinite possibilities each order so that its inferior serve to store information written or drawn.

ChefScript-Dingbats: Pictograms that communicate: kitchen, chef, restaurant, food, etc.

ChefScript-Numbers: Bulky and useful numbers to highlight prices or figures containing points or dollar signs.

Chef Script-Words: Predesigned words with uninterrupted letters diagonally leveled highlighting various thoughts in writing.

read more


Friday, October 21, 2011

Download 1565 Renaissance Font Family Style



Download 1565 Renaissance Font Family Style

Download 1565 Renaissance Font Family

This set of initial letters was inspired from French renaissance decorated letters. It is a typical pattern, one among dozen quite similar, but this one was in use in Paris, unchanged, for centuries, and was still in use in the beginning of 1900s.

This explains the difference between I and J, U and V. These characters were engraved years after the original set.

Our font was inspired from a late 1800s publication. It can be used as well with Humane fonts (like our 1543 Humane Janson or 1592 GLC Garamond) as with modern fonts like our 1820 Modern or 1906 French News.

read more

Thursday, October 20, 2011

Download ChefScript Font Family Style



Download ChefScript Font Family Style

Download ChefScript Font Family



ChefScript

Chef Script is an experimental font designed by Carlos Fabian Camargo G. Its fantasy design contains 1463 glyphs to compose words, phrases and short messages on small and large sizes. The idea was born in a sketchbook that was perfected again by hand and achieving "non-neutral drawings" on tracing paper.

With bezier digitization the empty and full parts of letters appeared with soft and eloquent curves as calligraphic result produces optimal readability. More…

Chef Script combines warmth and good humor running in countless design applications such as labels and base plates, covers, posters, movie titles, seals and any printed design that needs an unusual typographic tool.

In that sense, Chef Script is influenced by Speedball lettering manual (1957), Ross F. George. The illustrative nature of "ChefScript-complete" does not look anything like the traditional type design hierarchies.

Therefore offers 7 hierarchical resource groups to design comfortable contexts flavored with illustration and typography:

ChefScript-Basic: Letters with horizontal and vertical thrifty proportions mimic an uninterrupted calligraphy brush made with flat tip.

Thus its letters have ascenders and descenders strokes perpendicular to its base line and equal to the height of the lowercase.

ChefScript-Swashes: Letters expressive and unique flourishes to design highlighted words or phrases.

ChefScript-Caps: Uppercase with lowercase height give the impression of interrupted uppercase italics writing within what is written with uninterrupted lowercase letters producing strong contrast within a paragraph fragment.

ChefScript-Containers: Container drawings designed to exchange with infinite possibilities each order so that its inferior serve to store information written or drawn.

ChefScript-Dingbats: Pictograms that communicate: kitchen, chef, restaurant, food, etc.

ChefScript-Numbers: Bulky and useful numbers to highlight prices or figures containing points or dollar signs.

Chef Script-Words: Predesigned words with uninterrupted letters diagonally leveled highlighting various thoughts in writing.

read more


Download 1557 Italique Font Family



Download 1557 Italique Font Family



Download 1557 Italique Font Family

family of 1 font from GLC

1557 Italique

Italic type was invented by Aldus Manutius in 1499 or 1501, first, before to be a style name, it was a plain font familly name. This Italique style font was inspired from these who was used by Jean de Tournes in Lyon (France) to print La mtamorphose d'Ovide figure, a splendid book with numerous gothic style wood carved pictures.

More…


Download Cheeky Gi Family Style



Download Cheeky Gi Family Style

Download Cheeky Git Font Family

Download Download Cheeky Git Font Family

Someone once called me a cheeky git. At first I didn't really know what that meant, but after looking it up in a dictionary I knew that one day one of my fonts would be called that! It’s curly and funny, but most of all it’s cheeky!

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Wednesday, October 19, 2011

Download 1557 Italique Font Family Style



Download 1557 Italique Font Family Style

Download 1557 Italique Font Family



Download 1557 Italique Font Family

family of 1 font from GLC

1557 Italique

Italic type was invented by Aldus Manutius in 1499 or 1501, first, before to be a style name, it was a plain font familly name. This Italique style font was inspired from these who was used by Jean de Tournes in Lyon (France) to print La mtamorphose d'Ovide figure, a splendid book with numerous gothic style wood carved pictures.

More…


Download Cheek PT Font Family



Download Cheek PT Font Family



Download Cheek PT Font Download

This font was inspired by a neon sign at a mission in downtown Seattle, “COME UNTO ME.” all in oblique capitals. The combination of squares and rounded elements between letters such as C and O, and U and N, was interesting and a full upper-and-lowercase character set was subsequently designed.

The final version comes in four weights, each with oblique styles.

read more


Tuesday, October 18, 2011

Download 1550 Arabesques Font Family



Download 1550 Arabesques Font Family

family of 1 font from GLC

1550 Arabesques

Font inspired by the decorative elements and opening capitals frequently in use in the early 1500s, under Geoffroy Torys book Champfleury influence, especially in Lyon (France). It is an entirely original design.

More…

Download Cheek PT Font Family Style



Download Cheek PT Font Family Style

Download Cheek PT Font Family



Download Cheek PT Font Download

This font was inspired by a neon sign at a mission in downtown Seattle, “COME UNTO ME.” all in oblique capitals. The combination of squares and rounded elements between letters such as C and O, and U and N, was interesting and a full upper-and-lowercase character set was subsequently designed.

The final version comes in four weights, each with oblique styles.

read more


Monday, October 17, 2011

Download 1550 Arabesques Font Family Style



Download 1550 Arabesques Font Family Style

Download 1550 Arabesques Font Family

family of 1 font from GLC

1550 Arabesques

Font inspired by the decorative elements and opening capitals frequently in use in the early 1500s, under Geoffroy Torys book Champfleury influence, especially in Lyon (France). It is an entirely original design.

More…

Download Cheek Font Family



Download Cheek Font Family

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Sunday, October 16, 2011

Download 1546 Poliphile Font Family



Download 1546 Poliphile Font Family

family of 2 fonts from GLC

1546 Poliphile

This family was inspired from the French edition of Hypnerotomachie de Poliphile (“The Strife of Love in a Dream”) attributed to Francesco Colonna, 1467 printed in 1546 in Paris by Jacques Kerver. He was using a Garamond set (look at our 1592 GLC Garamond), including two styles: Normal and Italic (Normal carved by Claude Garamond, Italic we don't know; it was an Italic pattern very often in use in Paris at that time).

More…


Saturday, October 15, 2011

Download Cheek Font Family Style



Download Cheek Font Family Style

Download Cheek Font Family

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Download 1546 Poliphile Font Family Style



Download 1546 Poliphile Font Family Style

Download 1546 Poliphile Font Family

family of 2 fonts from GLC

1546 Poliphile

This family was inspired from the French edition of Hypnerotomachie de Poliphile (“The Strife of Love in a Dream”) attributed to Francesco Colonna, 1467 printed in 1546 in Paris by Jacques Kerver. He was using a Garamond set (look at our 1592 GLC Garamond), including two styles: Normal and Italic (Normal carved by Claude Garamond, Italic we don't know; it was an Italic pattern very often in use in Paris at that time).

More…


Download Checker Font Family Style



Download Checker Font Family Style

Download Checker Font Style Family

family of 1 font from ShinnType

Checker

Checker is an all-cap three-D font which automatically alternates white letters on black tiles with black letters on white tiles, by means of the Contextual Alternates feature.

More…

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Friday, October 14, 2011

Download 1545 Faucheur Font Family Style



Download 1545 Faucheur Font Family Style

Download 1545 Faucheur Font Style Family

This family was inspired by the set of fonts used in Paris by Ponce Rosset, aka Faucheur to print the account of the second voyage to Canada by Jacques Cartier, first edition, in 1545. It is a Garalde set, the punchcutter is unknown, certainly it was not Garamond himself.

In our two styles (normal and italic), fontfaces, kernings and spaces are scrupulously the same as in the original. This Pro font covers Western, Eastern and Central European languages (including Celtic) Baltic and Turkish, with standard and long-s ligatures in each of the two styles.

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