Download 1up Font Family Style
Download 1up Font Family
1up is a retro font that is influenced by classic video games and modern pixel fonts. Looks great in display sizes and also works well when used smaller.
1up is a retro font that is influenced by classic video games and modern pixel fonts. Looks great in display sizes and also works well when used smaller.
family of 1 font from Device
Type that preserves the over- and under-inked textures of true old-fashioned wood faces, now available without ink on your fingers straight from your keyboard.
1st Ave is the most experimental of my typefaces. I took a picture of a metal and neon sign in the East Village of New York City. These signs are slowly being replaced by LED and LCD displays, but if you look hard, you can still find quite a few in the city.
The signs give a mid 20th century feel to the city. To design 1st Ave, I took a picture of the sign, scanned it and increased the contrast in Photoshop so that the photographic forms became line art.
There weren't enough letterforms in the sign to create the whole alphabet, so I cut up the strokes and collaged them back together to finish the entire alphabet.
Important Note: 1st Ave is an experimental typeface and is not compatible with certain software such as Microsoft Word.
family of 20 fonts from Bitstream
Bitstream Charter, was designed in the mid-1980s by Matthew Carter. The typeface was designed with the limitations of low- and middle-resolution output devices in mind; hence the squared off serifs and lack of excessive diagonals and curves. The design, however, became an instant success on its own merits. It is an excellent everyday typeface for a wide variety of uses including books and technical manuals. Charter offers small cap, extension and alternate typographer sets that help to make it more versatile and functional.
family of 4 fonts from Matthias Luh
19th Century Retro is a re-design of an official German font style (called Fraktur) which was used in official documents in the 19th and early 20th century.
family of 20 fonts from Bitstream
Bitstream Charter, was designed in the mid-1980s by Matthew Carter. The typeface was designed with the limitations of low- and middle-resolution output devices in mind; hence the squared off serifs and lack of excessive diagonals and curves. The design, however, became an instant success on its own merits. It is an excellent everyday typeface for a wide variety of uses including books and technical manuals. Charter offers small cap, extension and alternate typographer sets that help to make it more versatile and functional.
family of 4 fonts from Matthias Luh
19th Century Retro is a re-design of an official German font style (called Fraktur) which was used in official documents in the 19th and early 20th century.
family of 1 font from Jelloween
Sexy pixelfont that's perfect for small print
family of 1 font from Jelloween
Sexy pixelfont that's perfect for small print
This font was inspired by the rare manuscript Roman Quadrata used by an unknown scribe to inscribe a copy of the Roman poet Virgils GEORGICS, somehwere around 161 to 180 AD. Only a few sheets have survived, now preserved by different libraries around the world. More…
In creating this font, we have adapted it for contemporary users, making differences between U and V; I and J (which made no difference at all to ancient Latin scribes) and naturally adding the glyphs for Thorn, Oslash, Lslash, W, Y, as well as the usual accented characters and punctuation, none of which existed at the time. Only capitals are present in the original; but we have provided alternates: so alternating each character A-Z/a-z will give a pleasant appearance of manual script. We have added the Roman numerals I V X L C D M in the OTF/TTF versions usable as Old Style Numerals alternates.
family of 1 font from Hanoded
Charon’s Obol is a scary, brushed typeface. It was created using cheap paint and stiff brushes - hence the rough texture of the glyphs. Using this font will ensure you a safe passage across the river styx - just don't pay the ferryman until he gets you to the other side
This font was inspired by the rare manuscript Roman Quadrata used by an unknown scribe to inscribe a copy of the Roman poet Virgils GEORGICS, somehwere around 161 to 180 AD. Only a few sheets have survived, now preserved by different libraries around the world. More…
In creating this font, we have adapted it for contemporary users, making differences between U and V; I and J (which made no difference at all to ancient Latin scribes) and naturally adding the glyphs for Thorn, Oslash, Lslash, W, Y, as well as the usual accented characters and punctuation, none of which existed at the time. Only capitals are present in the original; but we have provided alternates: so alternating each character A-Z/a-z will give a pleasant appearance of manual script. We have added the Roman numerals I V X L C D M in the OTF/TTF versions usable as Old Style Numerals alternates.
Charon’s Obol is a scary, brushed typeface. It was created using cheap paint and stiff brushes - hence the rough texture of the glyphs. Using this font will ensure you a safe passage across the river styx - just don't pay the ferryman until he gets you to the other side
Charon’s Obol is a scary, brushed typeface. It was created using cheap paint and stiff brushes - hence the rough texture of the glyphs. Using this font will ensure you a safe passage across the river styx - just don't pay the ferryman until he gets you to the other side
This family was inspired by the edition De Civitate Dei (by Sanctus Augustinus) printed in 1467 in Sobiano (Italy, Roma) by Konrad Sweynheym and Arnold Pannartz who was the Punchcutter. It is one of the first few “Roman style” fonts, just before the birth of Jenson’s pattern (look at 1470 Jenson Latin).
The present font contains all of the specific latin abbreviations and ligatures used in the original (about 54). Added are the accented characters and a few others not in use in this early period of printing. More…
Decorated letters such as 1512 Initials, 1550 Arabesques, 1565 Venetian, or 1584 Rinceau can be used with this family without anachronism. If Italic style is required,(no longer existing in early time of printing) we recommend using 1557 Italique.
Looking for a fun, offbeat, and fantastic font? Charming Charlie is here to fit the bill!
Inspired by an old poster for the film Charlie Chan in Egypt, comes this playfully plump, soft-edged sans serif font to sweep you off your feet.
The Contextual Alternates feature in this font automatically alternates between the Capitals and alternate Capitals of the font to mix things up a bit and keep your type-settings lively.
family of 1 font from GLC
Font designed from that used in Bamberg by Albrecht Pfister, in early years of printing, exactly for a book titled "Ackermann Von Bhmen" writen in old German by Johannes Von Tepl, and decorated by a lot of splendid colored carved woods. This font include “long s”, naturelly, as typically medieval, but any abbreviated characters, and, curiously no german "", no more than “W”. (The only one I did found where a hand drawn one.)
Charmante is a sans-serif handwritten typeface created & published by Juraj Chrastina that has two styles (Regular & Bold), it is perfect for wedding cards, greeting cards, cafe or restaurant menus etc.Download Charmante Font
Foundry:Juraj Chrastina
Formats:Open Type OTF
Glyphs:Basic latin/English letters, West European diacritics,Euro, Ligatures, Central Europe, Turkish, Romanian
Licence:Desktop, Webfonts, App, eBooks, Server
Released:2013
Price:both fonts $ 41,30; $ 59,00
Charmante is a trademark of Juraj Chrastina
family of 1 font from GLC
Is it necessary to tell the Gutenberg story?
Charmante is a sans-serif handwritten typeface created & published by Juraj Chrastina that has two styles (Regular & Bold), it is perfect for wedding cards, greeting cards, cafe or restaurant menus etc.Download Charmante Font
Foundry:Juraj Chrastina
Formats:Open Type OTF
Glyphs:Basic latin/English letters, West European diacritics,Euro, Ligatures, Central Europe, Turkish, Romanian
Licence:Desktop, Webfonts, App, eBooks, Server
Released:2013
Price:both fonts $ 41,30; $ 59,00
Charmante is a trademark of Juraj Chrastina
family of 1 font from GLC
Is it necessary to tell the Gutenberg story?
Charlotte is the work of designer Michael Gills, a clean modern face type. It is perfect for almost any text application and particularly effective in bringing across a formal atmosphere. Charlotte is available in both serif and sans serif typeface families, matched in both color and style.
family of 1 font from GLC
This script font was inspired by the type most commonly used during the period 1300s to 1500s.
Charlotte is the work of designer Michael Gills, a clean modern face type. It is perfect for almost any text application and particularly effective in bringing across a formal atmosphere. Charlotte is available in both serif and sans serif typeface families, matched in both color and style.
family of 1 font from GLC
This rough font was inspired from a Russian Cyrillic hand of 1350’s “Russkaja Pravda” (a Russian text of common Laws). As a Pro font, It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish specific characters, but, naturally Old Russian glyphs, including a lot of them not in use from 1700’s, excepted for religious texts, at all more than 136 Russian Glyphs. Capitals and lower cases have the same form and almost same size, like in the original text, who was using only one size and style.
family of 4 fonts from YOFF
A cozy “color me” font in two versions hollow and black also included are two smoothed versions.
Im really glad to announce that today we have the 1000 fonts that are featured on Kreativ Font.
To anyone that contributed to this unbelievable milestone THANK YOU!
Stay tuned, many new features are in the works that will make Kreativ Font even more attractive and usable.Also, please do not hesitate to let us know you wishes
family of 4 fonts from YOFF
A cozy “color me” font in two versions hollow and black also included are two smoothed versions.
family of 5 fonts from DMTR.ORG
If one were to be visiting Dania Beach in South Florida, they would find on the West side of US 1 just North of Sheridan Street a Bar-B-Q joint located smack dab between a McDonalds and an all-you-can-eat buffet that took over a closed down Pizza Hut.
Charlies BarBQ JNL is Jeff Levines homage to some great Texas Bar-B-Q - cooked by a Cuban immigrant - served in South Florida...
More…
A true American success story, but with a sad ending. Charlie’s closed because the landlord wanted the property. for his own use. Charlie now resides in Leon, Nicaragua and runs some successful business ventures there.