Download Konga Font Family Style
Download Konga Font Style Family

A neat handwritten font in an upright, feminine style. The bar key contains a cute slice of cake.
family of 1 font from Intellecta Design
Based on Rough lettering, by Ross F. George
This quirky font features tons of personality in curls and swirls. Use it for titles & small snippets of text. (Don't try turning a term paper written in this font!)
family of 1 font from Intellecta Design
Based on Rough lettering, by Ross F. George
Conversation hearts! Use ALL CAPS for even lettering. For bouncy letters, alternate uPpEr and LoWeR cases to make the letters bounce up and down.
family of 20 fonts from Canada Type
Clarendon Text is a contemporary remake of the truly classic slab serif typeface with a distinctively clear and legible visibility. It is a widely usable text type suited equally well to advertising, books, publications, and a wide range of corporate literature where large amounts of reading matter call for distinction and style without sacrificing readability.
Chalkboard inspired frames. Perfect for decorating!
family of 20 fonts from Canada Type
Clarendon Text is a contemporary remake of the truly classic slab serif typeface with a distinctively clear and legible visibility. It is a widely usable text type suited equally well to advertising, books, publications, and a wide range of corporate literature where large amounts of reading matter call for distinction and style without sacrificing readability.
Decayed and stamped highly textured frames and decorations. Perfect for chalkboard art.
family of 1 font from Wooden Type Fonts
One of the classic display types of the 19th century, an Egyptian with bracketed serifs. There are many variants of this face and its uses are many, this a modified version lacking the teardrop or ball terminals
on a, c, f, g, j, r, f, y.
A fatter, more kid-friendly version of KG Lego House, this font is designed specifically for elementary teachers who requested a neat, legible font with a thicker outline.
family of 1 font from Wooden Type Fonts
One of the classic display types of the 19th century, an Egyptian with bracketed serifs. There are many variants of this face and its uses are many, this a modified version lacking the teardrop or ball terminals
on a, c, f, g, j, r, f, y.
A stamped, eroded font with the texture of a real rubber stamped image.
Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their italics which gives it added versatility.
It has all the indispensable OpenType features for a text typeface like Small Capitals, different sets of figures, fractions and many others. The character set supports Latin, Central European, Baltic and Turkish languages.
family of 1 font from Open Window
Clarendon Paint offers a gritty twist on a classic font style (Clarendon). It was completely hand painted which makes the font an organic centerpiece to any of your grungy design applications.
To design a font Kapra, I was inspired by a You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from Mai 1960 till December 1973 in Poland. The font Kapra is designed in eight versions lower and uppercase characters.
family of 1 font from Open Window
Clarendon Paint offers a gritty twist on a classic font style (Clarendon). It was completely hand painted which makes the font an organic centerpiece to any of your grungy design applications.
Jugo Script is a Koziupa/Paul near-parody of the soft and speedy late-1980s, early-1990s display scripts. Though it essentially is one of the usual exhibits of Koziupa’s calligraphic skill, its individual shapes and overall construct show a mischievous wink at Oz Cooper and the hundreds of lens-blurred film types he inspired in the 1970s and 80s.
Koziupa’s unique sense of letterform and proportion is on full display in the uppercase and the figures, while the lowercase is an eccentric exercise in single stroke lettering, complete with quick and subtle wrist bends, minimal pausing, and hurried exits.
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The Journal Sans typeface was developed in the Type Design Department of SPA of Printing Machinery in Moscow in 19401956 by the group of designers under Anatoly Schukin. It was based on Erbar Grotesk by Jacob Erbar and Metro Sans by William A.
Dwiggins, the geometric sans-serifs of the 1920s with the pronounced industrial spirit. Journal Sans, Rublenaya (Sans-Serif), and Textbook typefaces were the main Soviet sans-serifs. So no wonder that it was digitized quite early, in the first half of 1990s.
Until recently, Journal Sans consisted of three faces and retained all the problems of early digitization, such as inaccurate curves or side-bearings copied straight from metal-type version.
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In the new release, besides minor improvements, a substantial work has been carried out to make the old typeface work better in digital typography and contemporary design practice.
Also, the Journal Sans New has several new faces, such as true italic (the older font had slanted version for the italic), an Inline face based on the Bold, and the Display face with proportions close to the original Erbar Grotesk.
It can be useful either for bringing historical spirit into design or for modern and trendy typography, both in print and on screen.
Released by ParaType in 2014.
Finally, a serious alternative to that other comic font.
After years of mocking the font that shall not be named, I decided to create an alternative. I wanted to keep the fun feel and the comic book roots, but have a more polished look.
The result? JollyGood, a complete font family, with great language support, a big range of weights and styles, and a friendly look.
Another variation of the many Clarendons created in the 19th century
and there are probably more out there.
Joe Cool is a bold geometric sans with minimal counters designed to achieve the maximum weight, solidity and impact on the page. Joe Cool Extended was actually created first, then it seemed like a good idea to add progressively more compact versions for added variety and versatility.
See also Gravitas, my Bauhaus inspired font family which explores similar territory.
Another variation of the many Clarendons created in the 19th century
and there are probably more out there.
A super-stylized retro display face for headlines, posters, drop caps and other basic-but-oversized uses.
family of 1 font from Wooden Type Fonts
A revival of one of the popular wooden type fonts of the 19th century, suitable for display.
Jasmina FY is a new lovely low-contrast script font. Its fluid and feminin shapes, gives this font a elegant structure in small size and lots of personality in poster size.
This font will certainly find its pleasure in packaging, headlines, posters and logo design.
Jasmina FY was co-created by Joana Correia & Fontyou on fontyou.com, the first collaborative type foundry.
images Shutterstock http://www.shutterstock.com/
A revival of one of the popular wooden type fonts of the 19th century; suitable for text.
Jacky Hand is a waxy new font totally drawn by my 6 year old son while practicing his handwriting. This is a totally diverse font perfect for a wide range of uses from horror posters to childlike naivet, or to inject some preppy school spirit.
A revival of one of the popular wooden type fonts of the 19th century; suitable for text.